Composers like Robert Schumann, Felix Mendelssohn, César Franck, Max Bruch, Anton Bruckner, Modest Mussorgsky, Alexander Borodin, César Cui and Sergei Rachmaninoff only used this key in a few small-scale or miscellaneous compositions, or even avoided it completely. The Romantic composers often used keys distant from G major. 40įranz Schubert rarely used the key of G major, although a few important compositions are written in this key, including Mass No. Rondo à Capriccio "Rage over a lost Penny" (in German "Die Wut über den verlorenen Groschen") for piano, Op.He regularly used this key, for instance in 14, along with some examples among his juvenilia.įor Ludwig van Beethoven, G major was a key for optimism and cheerful energy. However, almost none of his large-scale works such as his symphonies or concertos are in this key exceptions are the Violin concerto no. In addition, G major is the home key of Mozart's Eine kleine Nachtmusik, serving as the tonic for three of its four movements (the only exception being the second movement, titled Romanze which is in the subdominant key of C major). ![]() 39 (with the Gypsy Rondo), and one of his last two complete published string quartets (Op. Likewise, one of Haydn's most famous piano trios, No. Twelve of Joseph Haydn's 106 symphonies are in G major. ![]() Pianist Jeremy Denk observes that the Goldberg Variations are 80 minutes in G major. In the music of Johann Sebastian Bach, "G major is often a key of 6Ĩ chain rhythms", according to Alfred Einstein, although Bach also used the key for some 4Ĥ-based works, including his third and fourth Brandenburg Concertos. Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. ![]() In Baroque music, G major was regarded as the "key of benediction". See also: List of symphonies in G major Baroque period
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